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KillersThe All Good Books group will discuss Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann at our next meeting on Thursday, November 15, 2018. As usual, we’ll meet at the Community of Christ Mission Road Congregation (7842 Mission Road, Prairie Village, KS) at 7 PM.

The following discussion questions are drawn from the publisher’s site (https://bit.ly/2qzeRVZ):

  1. What do the contemporary media reports on the wealth and lifestyle of the Osage reflect about white perceptions of Native Americans (pp. 6–7; pp. 76–77)? In what way do they lay a foundation for the way the murders and mysterious deaths were treated by law enforcement?
  2. What was your first impression of William Hale (p. 17)? How does Grann bring to life his strengths and appeal, as well as the darker side of his nature? What qualities does he share with people who achieve power and influence today?
  3. How did you respond to the description of law enforcement in America during the 1920s (p. 19)? What elements most shocked or surprised you? What made the situation in Osage County particularly chaotic? What effect did this have on the investigations into the deaths of Anna Brown and Charles Whitehorn?
  4. What does Grann’s account of the relationship between the United States government and Native Americans contribute to your understanding of the country’s history (pp. 37–44)? How did government policies affect individuals like Mollie and her family? What does Grann capture in his description of Lizzie’s death: “Lizzie’s spirit had been claimed by Jesus Christ, the Lord and Savior, and by Wah’Kon-Tah, the Great Mystery” (p. 36)?
  5. Discuss the circumstances that distinguished the Osage from other Native American tribes, including the actions taken by tribal leaders early in the century; the influx of white settlers and oil prospectors; the granting of headrights; and the guardianship system (pp. 78–80).
  6. What is the significance of the murder of Barney McBride, the oilman who went to Washington to seek help for the Osage (p. 68) and of W.W. Vaughan, the attorney who worked with private detectives investigating the murders (p. 93–4)?
  7. What does Grann’s portrait convey about J. Edgar Hoover (p. 107)? What traits stand out and what do they foretell about Hoover’s future as director of the FBI?
  8. In what ways does Tom White combine the qualities of the Old West and of the modern bureaucratic system Hoover is trying to create? How does this influence the steps he takes in investigating the murders? How do the various views of White, including the stories of his childhood and his work as a Texas Ranger (pp. 137–153), shape your impressions of him? Would you define him as the hero of the book?
  9. How were manufactured evidence, suborned testimony, and false confessions used to divert the FBI investigation? What role did independently hired private eyes and informants play in the search for the truth?
  10. The crimes in Osage County involved many levels of deception and betrayal. In addition to the actual conspirators, who else either directly profited from the crimes or was silently complicit in them? In what ways did accepted mores encourage the corruption that plagued the investigation?
  11. What role did new methods of criminal investigation play in uncovering the guilty parties? In addition to introducing up-to-date forensic science, how did Hoover use the case to transform the Bureau of Investigation and simultaneously enhance his own image?
  12. During Hale’s trial, a member of the Osage tribe said, “It is a question in my mind whether this jury is considering a murder case or not. The question for them to decide is whether a white man killing an Osage is murder—or merely cruelty to animals” (p. 215). Why does this observation resonate beyond the immediate circumstances?
  13. Perhaps the most chilling aspect of Killers of the Flower Moon is the marital and familial connections between murderers and their victims. What explains Ernest Burkhart’s actions even as he remained married to and had children with Mollie? How does Grann bring to life the particular horror of crimes committed within a family and a close-knit community?
  14. What does the evidence Grann uncovered when he visited Osage County in 2012 reveal about the lasting legacy of the “Reign of Terror”?
  15. Killers of the Flower Moon combines the fast pace of a true-life murder mystery with the scope and detail of a narrative history. How does Grann integrate these different aspects of the book?
  16. We are familiar with many American crimes and criminals during the early twentieth century from movies, books, and television shows. Why do you think the story of the Osage murders hasn’t received similar attention?
  17. Are there recent examples of racial prejudice and injustice that parallel those described in Killers of the Flower Moon? What has changed about the approach taken by law enforcement? About the attitudes expressed by the white community in the face of racial or religious discrimination? In what ways have things remained the same?

A cast of characters from the book follows. This list is also drawn from the publisher’s website.

Cast of Characters

The Family
Mollie Burkhart, a wealthy Osage woman whose family was targeted

Anna Brown, Mollie’s oldest sister, a divorcee who spent a lot of time in the reservation’s rowdy boomtowns

Lizzie, Mollie’s mother, deeply attached to Osage traditions even as the world around her changed; she suffered a slow, inexplicable death

Rita, Mollie’s sister, and her husband, Bill Smith

Ernest Burkhart, Mollie’s white husband, the father of her three children, and her official financial guardian

Bryan Burkhart, Ernest’s younger brother

William Hale, Ernest’s uncle, a self-made man of great wealth and staggering power; revered by many people as “King of the Osage Hills”

Margie Burkhart, the granddaughter of Mollie and Ernest Burkhart; she shared her father’s memories of the “Reign of Terror” with Grann as well as stories about Mollie’s and Ernest’s lives in later years

The Bureau of Investigation
J. Edgar Hoover, the twenty-nine-year-old newly appointed director of the Bureau of Investigation; he saw the Osage cases as a way to redeem the bureau’s bad reputation and advance his own career

Tom White, an old-style frontier lawman and former Texas Ranger who was put in charge of the investigation

John Wren, recruited by White, he was then one of the few American Indians (perhaps the only one) in the bureau

Other Characters
Barney McBride, a white oilman who sought help for the Osage

W.W. Vaughan, a lawyer who worked closely with private detectives trying to solve the Osage cases

James and David Shoun, local doctors (and brothers)

Scott Mathis, owner of the Big Hill Trading Company and a close friend of both Mollie Burkhart and William Hale; he managed Lizzie’s and Anna’s financial affairs and administered Anna’s estate

James Bighart, the legendary chief of the Osage who negotiated the prescient treaty with the government to retain mineral rights for the tribe

George Bighart, James’s nephew who gave information to W.W. Vaughan

Henry Roan, briefly married to Mollie when they were young; he borrowed heavily from William Hale and made Hale the beneficiary of his insurance policy

Additional discussion questions are available from the PBS NewsHour/New York Times book club (https://nyti.ms/2zBPMxA) as listed below.

  1. Before starting “Killers of the Flower Moon,” had you ever heard of the Osage murders? If so, how did you learn about them, and what did you know? Do you think this history should be taught in schools?
  2. Grann begins the book with a line describing the flowers spread over the Oklahoma hills where the Osage Indian nation resided — and how those flowers break and die in May. How does this line set the tone for, and introduce the subject of, the rest of the book?
  3. The first character we meet is Mollie Burkhart, whose family becomes a main target of the Osage murders. How does Grann signal to us early on what the murderer may be after?
  4. Grann describes the discovery of oil on Osage land as a “cursed blessing.” How do you think it’s a blessing, and how is it a curse?
  5. How trustworthy do you find the different authorities that appear throughout the book to investigate the murders? Authorities such as William Hale, who Grann initially describes as a “powerful local advocate for law and order,” as well as the frontier lawmen, the brothers who conduct autopsies of the bodies, the local sheriff and, later, the F.B.I.?
  6. As you reach the halfway point of the book, who do you believe is responsible for the killings? Why?
  7. Osage “headrights” — or the money received by members of the tribe, or by white guardians, from mineral royalties — soon become central to the book. Grann writes: “Although some white guardians and administrators tried to act in the best interests of the tribe, countless others used the system to swindle the very people they were ostensibly protecting.” Which sectors of society abused these guardianships? How was this able to happen?
  8. Why do you think the F.B.I. pursued the case of the Osage murders? What did you learn about the birth of the agency?
  9. At this point in your reading, what do you think these murders say about America’s history with Native American people?
  10. As the F.B.I. solved the case, what was the mythology of the bureau that J. Edgar Hoover was trying to create? What parts of the agency’s investigation of the Osage Murders were left out of the story?
  11. Grann begins the third section of the book with the words: “So much is gone now,” including oil fields and boomtowns. But he also writes that the Osage nation has recovered in the decades since the murders, and today is a vibrant nation that’s 20,000 people strong. What do you think Grann wants us to take away from this?
  12. Grann ends the book with a quote from the Bible about Cain and Abel: “The blood cries out from the ground.” Why do you think he chose to close the book this way?
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Killers

During last week’s book club meeting we talked about some of the contributors to America’s World War II war effort. Two online sources were mentioned: the first is an article on Vera Davis in the Martin City Telegraph. In it, she discusses her experiences as a “Rosie the Riveter.” The article can be found at https://bit.ly/2PId5MZ

The second online source is an audio recording of Marilyn Gairn’s Father focusing on his prisoner of war experiences. The audio recording can be found at  https://bit.ly/2CsSmZW
The link goes to the Oral history interview with Martin L. Parisot – Collections Search – United States Holocaust Memorial Museum.

I really enjoyed our discussion last evening and look forward to discussing Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann on Thursday, November 15, 2018. As usual, we’ll meet at the Community of Christ Mission Road Congregation (7842 Mission Road) at 7 PM.

Killers

In case you missed last night’s book club meeting, here are a few events coming up that you might find interesting.

First there’s a free book signing for “Out of the Shadow: I Can and I Will” by Darol Rodrock. The book is his biography that focuses on “Overcoming poverty, abuse and abandonment to build a life of success and prosperity.” The events is from 6:30 – 8:30 PM on Wednesday, October 17, 2018 in the Carlsen Center Lobby at Johnson County Community College.

First 250 people to arrive will receive a free autographed copy of his book.

For more information and to RSVP (highly recommended) go to http://www.jccc.edu/rodrock

Also last night we decided to add “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI” by David Grann to our discussion schedule. We’ll discuss that book on Thursday, November 15, 2018 at our regular meeting (in the Community of Christ Church Library at 7 PM).

Because the book deals with the Osage Indians you might find these two lectures (part of the 2018-2019 College Scholars lecture series) of interest. Both sessions showcase research by Tai Edwards, PhD, Associate Professor of History at JCCC. Here are the sessions:

Evening Presentation: Osage Women, Gender and Empire

Everyone in the community is invited to attend from 5:30 to 6:30 p.m. Wednesday, Oct. 3 in Hudson Auditorium, Nerman Museum of Contemporary Art. Reception will follow from 6:30 to 7 p.m. in the Atrium. Dr. Edwards will discuss the arguments from her recent book, “Osage Women and Empire: Gender and Power,” on how Osage women and men built an empire together after French colonization—and how they continued to work together to secure their nation from U.S. colonialism.

Daytime Presentation: Disruption then Disease: The Falsehood of ‘Virgin Soil Epidemics’ – an Osage example

All JCCC students, faculty and staff are invited to attend from 11 a.m. to noon Thursday, Oct. 11 in the CoLab on the JCCC campus. Dr. Edwards will discuss arguments made in two articles—one published, one in progress—about how colonization determines the trajectory of disease among indigenous peoples. While this is for the JCCC community, you can sneak in and no one will boot you out!

The All Good Books discussion group will meet on Thursday, February 18, 2016 at 7 PM to discuss “The Children Act” by Ian McEwan. We will meet at the Community of Christ congregation in Prairie Village at the corner of 79th Street and Mission Road, in the church library.

To generate some pre-thinking for our discussion, please consider the following questions.

  1. Would you consider Fiona Maye a fair and impartial judge? Do you agree with her ruling in the case of Mark and Matthew? What about her decision regarding  Adam Henry? What, if anything, would you have done differently?
  2. Describe your impressions of Jack Maye. Do you understand his motivation throughout the novel? Would you have forgiven him?
  3. At one point, Fiona reflects on the case of Adam Henry, “It was not her business or mission to save him, but to decide what was reasonable and lawful.” Do you agree that is the role of a judge?
  4. What is your reaction to Fiona’s reminiscence regarding Matthew and Mark when she thinks: “Blind luck, to arrive in the world with your properly formed parts in the right place, to be born to parents who were loving, not cruel, or to escape, by geographical or social accident, war or poverty. And therefore to find it so much easier to be virtuous.” Thoughts?
  5. “Welfare, happiness, well-being must embrace the philosophical concept of the good life,” writes the author. What defines the good life for you?
  6. In Fiona’s thoughts she comments, “the archbishop preferred Mark to die along with Matthew in order not to interfere with God’s purpose. That churchmen should want to obliterate the potential of a meaningful life in order to hold a theological line did not surprise or concern her. The law itself had similar problems when it allowed doctors to suffocate, dehydrate or starve certain hopeless patients to death, but would not permit the instant relief of a fatal injection.” Do you see parallels in Fiona’s two examples? Is the issue black and white on preserving life? If not, what are the conditions or extenuating circumstances that should be considered?
  7. In some passages, like the following, the author is very descriptive. Is it too much? Did you enjoy the use of detail in language? Comment on the novel as an art form. “They entered a glassed-in atrium the height of the entire building. Mature native trees, rather starved, pushed hopefully upward from the concourse, from among the cheerful chairs and tables of competing coffee and sandwich concessions. Higher up, then even higher, other trees rose from concrete platforms cantilevered into the curving walls. The remotest plants were shrubs silhouetted against the glass roof three hundred feet up. The two women went across the pale parquet, past an information center and an exhibition of unwell children’s art. The long straight run of an escalator brought them to a mezzanine, where a bookshop, florist, newsagent, gift shop and business center were ranged around a fountain. New Age music, airy and unmodulating, merged with the sound of tinkling water. The model was, of course, the modern airport. With altered destinations. At this level there was little sign of illness, none of medical equipment. The patients were finely spread between visitors and staff. Here and there were people in dressing gowns, looking rakish.”
  8. Did you feel the pain of Fiona in her personal crisis with Jack? How did it affect her role as judge? Or did it? If you had been Fiona, would you have acted differently as a wife or spouse? As a judge?
  9. If you were Adam Henry’s parents, what would you have done? How would you feel about Fiona’s judgment?
  10. What was the meaning of the kiss?
  11. How would you describe this book? A walk in the park? A doctoral thesis? A love story? Enlightening? Boring? A roller coaster ride? A legal thriller? An artwork in words?
  12. Would you recommend the book to other readers? To other book clubs?